Mariana Meneguetti

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	<title>Mariana Meneguetti</title>
	<link>https://marianameneguetti.com</link>
	<description>Mariana Meneguetti</description>
	<pubDate>Thu, 11 Jun 2026 13:28:25 +0000</pubDate>
	<generator>https://marianameneguetti.com</generator>
	<language>en</language>
	
		
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		<title>Acrobata</title>
				
		<link>https://marianameneguetti.com/Acrobata</link>

		<pubDate>Thu, 18 Dec 2025 20:55:29 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Acrobata</guid>

		<description>AcrobataEscultura
estrutura tubular de metal e modelador43 x 80 x 58cm

2025
AcrobatSculpturemetal chair structure and body stocking43 x 80 x 58cm2025


&#38;nbsp;


	&#60;img width="3543" height="2657" width_o="3543" height_o="2657" data-src="https://freight.cargo.site/t/original/i/fcb76cb861002804dbe3028b4c36ad0a5c80ab3cb96e9d47024670f5ef3ed912/Mariana-Meneguetti_Acrobatas.jpg" data-mid="243195037" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/fcb76cb861002804dbe3028b4c36ad0a5c80ab3cb96e9d47024670f5ef3ed912/Mariana-Meneguetti_Acrobatas.jpg" /&#62;&#60;img width="3543" height="2657" width_o="3543" height_o="2657" data-src="https://freight.cargo.site/t/original/i/cae5a952115e49ff74aef007ad8b68c77acf78f3b48d8f9867e68f3a70eca132/Mariana-Meneguetti_Acrobatas2.jpg" data-mid="243195085" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/cae5a952115e49ff74aef007ad8b68c77acf78f3b48d8f9867e68f3a70eca132/Mariana-Meneguetti_Acrobatas2.jpg" /&#62;
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		<title>Escola do morro</title>
				
		<link>https://marianameneguetti.com/Escola-do-morro</link>

		<pubDate>Thu, 26 Oct 2023 16:13:47 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Escola-do-morro</guid>

		<description>Escola do Morro da ProvidênciaProjeto de arquitetura [em obras]Morro da Providência, Rio de janeiro - Brasil2020-[pt]
Co-autoria:

Mariana Meneguetti + Arquipélago Arquitetos (Luis Tavares e Marinho Velloso) 


Colaborador:
Luis costa Araújo
Equipe:
Rafael Ribeiro, Lucas Botelho

Construção:
Matéria Base (Coord. Felipe Lorga, Rafael Fogel, Fernando Minto e Nicole Borges)
Equipe local (Alex Oliveira, Rafael, Sarrafo e Zé)

Engenharia:
Cerne&#38;nbsp;Engenharia (Geraldo Filizola) 


A Escola no Morro da Providência é o nome dado à escola localizada no
primeiro morro de moradia informal do Brasil e surge como expansão da Casa
Amarela, importante centro educacional e agente comunitário local. O projeto se
dá pela relação entre dois espaços: A Escola + A Oficina-Escola. A primeira
surge com o objetivo de ampliar as atividades educacionais e culturais já
existentes na Casa Amarela com pedagogia e prática de reconhecimento da cultura
afro-brasileira. O segundo, permite a experimentação construtiva a partir da
produção do btc (bloco de terra compactada), possibilitando maior isolamento
térmico, incluindo a assistência de moradores nesta produção, além de
fundamental reconexão com a terra, após anos de extrativismo da antiga pedreira
local que destruiu grande parte do Morro.


&#38;nbsp;


	&#60;img width="5686" height="3791" width_o="5686" height_o="3791" data-src="https://freight.cargo.site/t/original/i/89bdf4e91b5659f2f2bd923e790fe39a05990725c04459ccb46ed954c1537f87/Fotos-Maquete-Casa-Amarela-por-Mollica-24.jpg" data-mid="241280942" border="0"  src="https://freight.cargo.site/w/1000/i/89bdf4e91b5659f2f2bd923e790fe39a05990725c04459ccb46ed954c1537f87/Fotos-Maquete-Casa-Amarela-por-Mollica-24.jpg" /&#62;&#60;img width="3643" height="5465" width_o="3643" height_o="5465" data-src="https://freight.cargo.site/t/original/i/4ba9fddeb5c0a6b70fdb7853d215ff3ace5aa6679d85895dc8c470ccbde71af8/Fotos-Maquete-Casa-Amarela-por-Mollica-8.jpg" data-mid="241281135" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/4ba9fddeb5c0a6b70fdb7853d215ff3ace5aa6679d85895dc8c470ccbde71af8/Fotos-Maquete-Casa-Amarela-por-Mollica-8.jpg" /&#62;
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</description>
		
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	<item>
		<title>Casa entre três paredes</title>
				
		<link>https://marianameneguetti.com/Casa-entre-tres-paredes</link>

		<pubDate>Wed, 26 Mar 2025 18:49:54 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Casa-entre-tres-paredes</guid>

		<description>Casa entre três paredes
Arquitetura2025
[pt]
Equipe:
Mariana Meneguetti
Imagem: 
Bruno Ottoni


Esta casa propõe integração entre espaço interno e externo a partir de três paredes construídas com tijolos e pedras encontradas no terreno. 


House in between three walls&#38;nbsp;Architecture&#38;nbsp;2025


[en]Team: 

Mariana Meneguetti
Image: Bruno Ottoni


This house proposes to intertwine interior and exterior space through three walls built with brick and stone found in the terrain.


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&#60;img width="1280" height="914" width_o="1280" height_o="914" data-src="https://freight.cargo.site/t/original/i/04ba468472bac94461ea8449b578e09536f7469d7e83cbd698668ee305bb5c45/89a5ba18-2113-466f-b2e1-68f078109c37.jpg" data-mid="228873783" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/04ba468472bac94461ea8449b578e09536f7469d7e83cbd698668ee305bb5c45/89a5ba18-2113-466f-b2e1-68f078109c37.jpg" /&#62;

&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/d93cf506d39fbdec8286fc62d9391425302149a8f05897c1d5de5c1004bb0f73/250325_Casa01-03.png" data-mid="228833357" border="0"  src="https://freight.cargo.site/w/1000/i/d93cf506d39fbdec8286fc62d9391425302149a8f05897c1d5de5c1004bb0f73/250325_Casa01-03.png" /&#62;&#60;img width="1280" height="914" width_o="1280" height_o="914" data-src="https://freight.cargo.site/t/original/i/794b7e98409f697eeba60a5d95c24c36ce174ebf49bebefe8b088f15d1cb36b5/95a593cb-c4f3-487f-aeae-11043c835d4c.jpg" data-mid="228873784" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/794b7e98409f697eeba60a5d95c24c36ce174ebf49bebefe8b088f15d1cb36b5/95a593cb-c4f3-487f-aeae-11043c835d4c.jpg" /&#62;
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&#60;img width="7016" height="4961" width_o="7016" height_o="4961" data-src="https://freight.cargo.site/t/original/i/456900210699da1aeec69acb49e16d5b5a5d105a24cab9e5d80ba678ec50b8eb/250325_Casa01-02.png" data-mid="228833356" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/456900210699da1aeec69acb49e16d5b5a5d105a24cab9e5d80ba678ec50b8eb/250325_Casa01-02.png" /&#62;
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	<item>
		<title>Apartamento 01</title>
				
		<link>https://marianameneguetti.com/Apartamento-01</link>

		<pubDate>Thu, 11 Jun 2026 13:08:15 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Apartamento-01</guid>

		<description>Apartamento 01Projeto de reforma de apartamento Rio de janeiro - Brasil2025[pt]
Equipe:
Mariana Meneguetti, Camila Mainier


Fotografia:
Rafael Mollica


&#38;nbsp;


	&#60;img width="3655" height="4569" width_o="3655" height_o="4569" data-src="https://freight.cargo.site/t/original/i/d9f1b54c408501e12164b674fcb9745db69f9f722fe4e86bf83e31af6b786a28/Casa-Duda-por-Mollica-1.jpg" data-mid="249371749" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/d9f1b54c408501e12164b674fcb9745db69f9f722fe4e86bf83e31af6b786a28/Casa-Duda-por-Mollica-1.jpg" /&#62;
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 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/6a8d7656d38617bc48fb1d4bb630c1a0b0d252d11cd771d62718bc9729ab775e/Casa-Duda-por-Mollica-3.jpg" data-mid="249371751" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/6a8d7656d38617bc48fb1d4bb630c1a0b0d252d11cd771d62718bc9729ab775e/Casa-Duda-por-Mollica-3.jpg" /&#62;

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	<item>
		<title>Luminária 1/4</title>
				
		<link>https://marianameneguetti.com/Luminaria-1-4</link>

		<pubDate>Thu, 11 Jun 2026 13:28:25 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Luminaria-1-4</guid>

		<description>Luminária 1/42026[pt]


A Luminária 1/4parte do tamanho padrão de doze metros da barra de aço de vergalhão de ⌀6mm, para propor a construção de uma pequena série de quatro. A estrutura, em tripé, surge da experimentação em construir, com três metros cada, um objeto em vergalhão sem geração de resíduo, por meio da autoconstrução através de corte, dobra e solda de vergalhão à mão. A partir do reaproveitamento industrial aliado a materiais cotidianos em desuso, a luz é protegida por uma fina membrana encurvada de papel embebido em cera, o que amplifica a translucidez do material em contraste com a propriedade material do aço.&#38;nbsp;
 

Fotografia:
Rafael Mollica


&#38;nbsp;


	&#60;img width="2571" height="3543" width_o="2571" height_o="3543" data-src="https://freight.cargo.site/t/original/i/b3c118829d18483d5a9fe782d73de05a5b11d2471907c1ba0bd84f961893f073/LUMINARIA-1-4-1.jpg" data-mid="249371982" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/b3c118829d18483d5a9fe782d73de05a5b11d2471907c1ba0bd84f961893f073/LUMINARIA-1-4-1.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
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&#60;img width="2571" height="3543" width_o="2571" height_o="3543" data-src="https://freight.cargo.site/t/original/i/da77a063677abac1e732802c5386513a82eb9d4b8b09ce80408790bd9df661dd/LUMINARIA-1-4-2.jpg" data-mid="249371985" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/da77a063677abac1e732802c5386513a82eb9d4b8b09ce80408790bd9df661dd/LUMINARIA-1-4-2.jpg" /&#62;


 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2537" height="3543" width_o="2537" height_o="3543" data-src="https://freight.cargo.site/t/original/i/050e359cc040bb204db4822a9d398e529cddad6b5f9169797e818cac4c702b78/LUMINARIA-1-4-3.jpg" data-mid="249371987" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/050e359cc040bb204db4822a9d398e529cddad6b5f9169797e818cac4c702b78/LUMINARIA-1-4-3.jpg" /&#62;.&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2537" height="3543" width_o="2537" height_o="3543" data-src="https://freight.cargo.site/t/original/i/f63d036c319dcaaebfd025e5cf38c1930f49ca9fa13ba7539cbb09d180b5cce6/LUMINARIA-1-4-4.jpg" data-mid="249371989" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/f63d036c319dcaaebfd025e5cf38c1930f49ca9fa13ba7539cbb09d180b5cce6/LUMINARIA-1-4-4.jpg" /&#62;
&#60;img width="2309" height="3543" width_o="2309" height_o="3543" data-src="https://freight.cargo.site/t/original/i/ff4bbeefeb01cb65cf6522cc8e0c4e5dbe3b8f54898fb24badd6b665c311794f/LUMINARIA-1-4-6.jpg" data-mid="249371992" border="0"  src="https://freight.cargo.site/w/1000/i/ff4bbeefeb01cb65cf6522cc8e0c4e5dbe3b8f54898fb24badd6b665c311794f/LUMINARIA-1-4-6.jpg" /&#62;


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</description>
		
	</item>
		
		
	<item>
		<title>LC4</title>
				
		<link>https://marianameneguetti.com/LC4</link>

		<pubDate>Wed, 12 Mar 2025 18:59:29 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/LC4</guid>

		<description>LC4
Escultura
cadeira de estrutura metálica e collant
160cm x 56cm x 60cm2025
[pt]


Escultura realiza no contexto da exposição "Be my Brother, or I kill you".
Curadoria: 
Gustavo TorresFotografia: Samuel Esteves


LC4Sculpture
metal chair structure and collant160cm x 56cm x 60cm
2025


[en]Sculpture realized in the context of the exhibition "Be my Brother, or I kill you".
Art curator:&#38;nbsp;
Gustavo Torres
Photography: Samuel Esteves


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
	
&#60;img width="3787" height="5433" width_o="3787" height_o="5433" data-src="https://freight.cargo.site/t/original/i/d5eeee3330aefd99afee01a1d6284fb852b80b5ba992794ace643bb50e35018d/BMBOIKY202402-1208.jpg" data-mid="228118232" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/d5eeee3330aefd99afee01a1d6284fb852b80b5ba992794ace643bb50e35018d/BMBOIKY202402-1208.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/14417aed19f3459f7539dd7c0d4def683322773be50360367e7c117463da8273/BMBOIKY202402-1214.jpg" data-mid="228118233" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/14417aed19f3459f7539dd7c0d4def683322773be50360367e7c117463da8273/BMBOIKY202402-1214.jpg" /&#62;&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/5f43c97e4049e2c56f9cf5598213d355189c75ed91d70359f622e536bab70437/BMBOIKY202402-1215.jpg" data-mid="228118235" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/5f43c97e4049e2c56f9cf5598213d355189c75ed91d70359f622e536bab70437/BMBOIKY202402-1215.jpg" /&#62;
&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/75d1ee7ba0998e3f5eb3ed1ba684c0599c17dfb52f0bb74722d177545c81dff5/BMBOIKY202402-1242.jpg" data-mid="228118236" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/75d1ee7ba0998e3f5eb3ed1ba684c0599c17dfb52f0bb74722d177545c81dff5/BMBOIKY202402-1242.jpg" /&#62;&#60;img width="3580" height="5370" width_o="3580" height_o="5370" data-src="https://freight.cargo.site/t/original/i/9f2f1c7af5da85fd46855806bee3f84ad72082787b5674b13eb8cb45366d80cc/BMBOIKY202402-1292.jpg" data-mid="228118237" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/9f2f1c7af5da85fd46855806bee3f84ad72082787b5674b13eb8cb45366d80cc/BMBOIKY202402-1292.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Galeria Refresco</title>
				
		<link>https://marianameneguetti.com/Galeria-Refresco</link>

		<pubDate>Mon, 01 Jul 2024 21:32:31 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Galeria-Refresco</guid>

		<description>Galeria Refresco
Arquitetura2024
[pt]
Equipe:
Mariana Meneguetti,&#38;nbsp;Angela Blanco


Esta
é a transformação do espaço térreo de um sobrado  em galeria de arte contemporânea. Fruto do edital Reviver Centro,
uma proposta da prefeitura do Rio de Janeiro para contribuir com o financiamento
de projetos culturais no centro da cidade, a proposta surge dentro de um
edifício de quatro andares do início do
século XVIII, de fachada e invólucro tombados. Em consequência de um incêndio que
derrubou todas as estruturas internas do prédio, apenas a fachada, a parede
lateral de tijolos reconstituídos e a parede dos fundos em muro de pedra se
mantiveram, em parte, originais. O esqueleto metálico interno e estrutura em steel
deck, resultado de uma reconstrução em 2008 e
inicialmente escondidos por forro e gesso, foram assumidos como parte
integrante da transformação. Para o funcionamento da galeria, foi proposta uma
nova parede para o espaço, que como uma infraestrutura que rearticula e
organiza, também sugere que o acervo principal seja exposto, se abrindo completamente
aos 4,20m de altura do espaço expositivo; por outro lado, áreas de depósito são
parcialmente ocultas em sua estrutura. Outra parede é proposta como anteparo entre
a galeria e os espaços de serviço e trabalho no fundo do lote. No térreo, copa
e banheiro dividem a mesma parede hidráulica, enquanto que o espaço do mezanino
é atribuído ao escritório. De forma a potencializar as poucas paredes de tijolo
e pedra remanescentes do tempo anterior ao incêndio, toda a estrutura de piso e
parede foi projetada para “quase” encostar nestes antigos alicerces: são 2cm silenciosos que guardam mais de 200 anos de história.


Refurbishment for Refresco Art GalleryArchitecture&#38;nbsp;2024


[en]Team:
Mariana Meneguetti,&#38;nbsp;Angela Blanco


This is the transformation of the ground floor space of a four-story
house  into a Contemporary Art Gallery.
As a result of the Reviver Centro notice, a proposal by the city council to facilitate and contribute to cultural projects in downtown, this proposal
begins to being drawn within a listed walls building from the beginning of the XVIII Century, fruit of the begining of the urbanization fo the city and that got on fire in 2008. The widefire torn down the inner walls of
the building, leaving simply the façade, the reconstructed brick wall on one
side and the stone wall on the back, partially originals. The metallic skeleton
and the steel deck structure, result of the 2008
reconstruction, and initially hidden by lining and plaster, were assumed as an
integral part of the transformation. For the functioning of the galley, it was
proposed a new wall for the main space, as an infrastructure that rearrange and
organize, but also proposes that the main gallery collection will be exposed to
its new 4,20m exhibition space height, making it an inherent part of the
exhibition space. On the other side, store spaces are partially occulted by its
structure. A second wall is proposed as a screen between gallery and service
spaces. On the ground floor, a small kitchen and bathroom share the same wall,
while the mezzanine space is assigned to the office. In order to enhance the few
brick and stone walls from the time before the fire, all inserted walls and
floors were designed to “almost” touch it’s ancient foundations: there are 2 silent cm
that hold more than 200 years of history.


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
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&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/5f3a3e0821e97e3c3f471e129b437470a5f5e627ec17b348340eaa4bdf05e589/Galeria-Refresco_3.jpg" data-mid="215358179" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/5f3a3e0821e97e3c3f471e129b437470a5f5e627ec17b348340eaa4bdf05e589/Galeria-Refresco_3.jpg" /&#62;Foto: Rafael Salim
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/e590d40d3cb54521b0e165f84a58f3de64d69deb693437296d364d68e3d51b49/Galeria-Refresco_4.jpg" data-mid="215358180" border="0"  src="https://freight.cargo.site/w/1000/i/e590d40d3cb54521b0e165f84a58f3de64d69deb693437296d364d68e3d51b49/Galeria-Refresco_4.jpg" /&#62;Foto: Rafael Salim

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/f2119ca7e5531a92552f25c66c8acaadd96fabd18da0ddd3348f2d30c233e7e2/Galeria-Refresco_1.jpg" data-mid="215358496" border="0"  src="https://freight.cargo.site/w/1000/i/f2119ca7e5531a92552f25c66c8acaadd96fabd18da0ddd3348f2d30c233e7e2/Galeria-Refresco_1.jpg" /&#62;Foto: Rafael Salim


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1683" height="1075" width_o="1683" height_o="1075" data-src="https://freight.cargo.site/t/original/i/08318d5ef806286713fd47a6d6fef4dd3c713c094f9f44639b24e582bb511323/240805_Refresco-3D-Construtivo_R03-edit01.png" data-mid="216002876" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/08318d5ef806286713fd47a6d6fef4dd3c713c094f9f44639b24e582bb511323/240805_Refresco-3D-Construtivo_R03-edit01.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5889098399cd0fd4951d14997ef6026f939d5b03ee5f09d81f7058d97ece3a70/IMG_0992.jpg" data-mid="215098861" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/5889098399cd0fd4951d14997ef6026f939d5b03ee5f09d81f7058d97ece3a70/IMG_0992.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Casa Mulungu</title>
				
		<link>https://marianameneguetti.com/Casa-Mulungu</link>

		<pubDate>Sun, 27 Sep 2020 22:33:16 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Casa-Mulungu</guid>

		<description>Casa Mulungu&#38;nbsp;ArquiteturaPetrópolis, Rio de janeiro - Brasil2019

[pt]
Co-autoria da arquitetura: Venta Arquitetos + Mariana MeneguettiFotografia: Federico CairoliEngenharia: Teto EngenhariaPaisagismo: Embya
A casa tem o seu nome a partir da árvore Mulungu (Erythrina Mulungu), situada no centro do terreno. Localizada em Petrópolis, no Rio de Janeiro, o terreno&#38;nbsp; tem 13m x 52m de dimensão, aclive íngreme, condição estreita e vizinhos muito próximos ao seu limite.
Com isso, a casa é desenvolvida a partir destas duas instâncias: o remodelar do terreno para permitir coexistir casa e árvore; e o mediar a relação com os vizinhos ao se abrir para a super condição exposta do seu pátio interior.
A proposta se inicia com a elevação da casa entre dois planos de tijolos tecidos entre si, uma membrana opaca como filtro à proximidade do entorno.O patio central e as demais fachadas, antes de serem um elemento translúcido, são reflexivos e desta condição, espelham e multiplicam a natureza ao redor e através da casa.
Mulungu HouseArchitecturePetrópolis, Rio de janeiro - Brazil2019

[en]
Architecture: Venta Arquitetos + Mariana Meneguetti
Photography: Federico Cairoli
Engeneering: Teto Engenharia
Landscape: Embya

The house takes its name from the Mulungu tree (Erythrina Mulungu), which is found in the center of the land. Located in the valleys of the city of Petrópolis, in Rio de Janeiro, the 13m x 52m terrain and steep slope is in a narrow condition, with neighbors very close to its border.

The house is developed from these two instances: the remodeling of the land to coexist both house and tree; and filtering the relationship with neighbors by opening its super exposed condition to the interior. The proposal starts from the elevation of the house between two sheets of ceramic bricks, which measure between the neighbors its weaving skin.

The crystal in the courtyard and other facades, before being a translucent element, is reflective and from this condition rebounds and multiplies the surrounding nature into the house.

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&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/31a558970dd7f16ba31f70830ecf3f40dd9ec0c7a7fe2c1de851b6b9bd0e11b6/15_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="83927007" border="0"  src="https://freight.cargo.site/w/1000/i/31a558970dd7f16ba31f70830ecf3f40dd9ec0c7a7fe2c1de851b6b9bd0e11b6/15_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;

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&#60;img width="1500" height="2100" width_o="1500" height_o="2100" data-src="https://freight.cargo.site/t/original/i/63377c4ff24e2399b2faf3292e363cd260d4b1b91c2157bef76ca7773595725c/18_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="83927009" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/63377c4ff24e2399b2faf3292e363cd260d4b1b91c2157bef76ca7773595725c/18_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;

&#60;img width="1500" height="1552" width_o="1500" height_o="1552" data-src="https://freight.cargo.site/t/original/i/fd8a3f347350d7d0d36ee8ba0a75bf869e9649c531575215bdf9664be0c191e5/19_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="83927010" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/fd8a3f347350d7d0d36ee8ba0a75bf869e9649c531575215bdf9664be0c191e5/19_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1500" height="2100" width_o="1500" height_o="2100" data-src="https://freight.cargo.site/t/original/i/83c2cbf52c19fbf94d0e8214e15acee3a9bd50d0284ed4757d8031524ecc2aad/22_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="83927011" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/83c2cbf52c19fbf94d0e8214e15acee3a9bd50d0284ed4757d8031524ecc2aad/22_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;

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&#60;img width="2667" height="1500" width_o="2667" height_o="1500" data-src="https://freight.cargo.site/t/original/i/21d6cf70dfdd332e7af0469ad9e188c5d5349bca3347533af157c95b1eb56600/24_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="83927013" border="0"  src="https://freight.cargo.site/w/1000/i/21d6cf70dfdd332e7af0469ad9e188c5d5349bca3347533af157c95b1eb56600/24_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;
&#60;img width="1500" height="2100" width_o="1500" height_o="2100" data-src="https://freight.cargo.site/t/original/i/302e7dd052e47816a11dc631dade18be116c74322fefd9860124d15591c9429f/29_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" data-mid="213802197" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/302e7dd052e47816a11dc631dade18be116c74322fefd9860124d15591c9429f/29_Casa-Mulungu_Ronsenbusch----Federico-Cairoli-low.jpg" /&#62;
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	<item>
		<title>Cadeiras para Lilly Reich</title>
				
		<link>https://marianameneguetti.com/Cadeiras-para-Lilly-Reich</link>

		<pubDate>Tue, 17 Oct 2023 18:10:20 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Cadeiras-para-Lilly-Reich</guid>

		<description>Cadeiras para Lilly Reich
Design de mobiliário2023


acrílico jateado, 
papel vegetal, 
metal pintado


50 x 50 x 70cm

[pt]
Co:autoria: 
Julia Retz
Mariana Meneguetti
Cadeiras para Lilly Reich é a segunda versão de um mobiliário produzido para um espaço de dança, incorporando imagens de obras da designer alemã Lilly Reich em papel vegetal e acrílico translúcido.Chairs for 


Lilly Reich


Furniture design2023


sandblasted acrylic,tracing paper, paintedmetal50 x 50 x 70cm.


[en]Co-author: 
Julia Retz
Mariana Meneguetti


Chairs for Lilly Reich fosters debate around the archives of the invisible labour of German architect and designer Lilly Reich. In a form of a furniture-archive the work traces back the free-flowing form and fluid shapes frequently used in her designs.


A set of sandblasted acrylic chairs holding some of her archival images are displayed in the space. Possible of use, they suggest different relationships between each other. With a round, square and backless chair back, - a symbolic assimilation to the Bauhaus School geometry, the chairs can be reconfigured as an assembly of living objects. They can be used continuously, connecting one another; in opposition to each other, or fragmented suggesting the separation of the images. It is possible to replace or add images like an expanded archive in process, as the chairs are mobile memories playing with matter, geometry, translucency, in order to trace the invisible powers that sustain our symbolic, poetic and political social system. 


Being a collaborator of Mies Van Der Rohe to design his exhibition for the German Building Exhibition “The Dwelling in Our Time” from 1927 where 17 male architects were invited, but being hardly mentioned in the press compared to her partner, Lilly Reich played an important role in stretching the functionalist vocabulary with curved forms in a patriarchal regime. 


By using materials such as translucent sandblasted acrylic and tracing paper, common in the design of XX Century architecture projects, the work intends to cross lights these different narratives in order to play on her participation in present times.


	&#60;img width="5539" height="3693" width_o="5539" height_o="3693" data-src="https://freight.cargo.site/t/original/i/f697c6553cb2e7abc6ed72d72633b69400bed9beecee87e4beb8ad81601b2d3a/CadeiraColetiva202310-3233.jpg" data-mid="195577502" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/f697c6553cb2e7abc6ed72d72633b69400bed9beecee87e4beb8ad81601b2d3a/CadeiraColetiva202310-3233.jpg" /&#62;
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&#60;img width="5539" height="3693" width_o="5539" height_o="3693" data-src="https://freight.cargo.site/t/original/i/9309362ae80b27e51ce4d281312e2134310a0cdf3a2ed3238fc4f6fb034f6d3b/CadeiraColetiva202310-3244.jpg" data-mid="195577531" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/9309362ae80b27e51ce4d281312e2134310a0cdf3a2ed3238fc4f6fb034f6d3b/CadeiraColetiva202310-3244.jpg" /&#62;
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		<title>Chão de alta performance</title>
				
		<link>https://marianameneguetti.com/Chao-de-alta-performance</link>

		<pubDate>Wed, 10 May 2023 22:54:55 +0000</pubDate>

		<dc:creator>Mariana Meneguetti</dc:creator>

		<guid isPermaLink="true">https://marianameneguetti.com/Chao-de-alta-performance</guid>

		<description>Chão de alta performanceResidência Art OMI&#38;nbsp;
2022
[pt]
Co-autoria:
Liz Gálvez
Mariana Meneguetti
Chão de alta performance (High-performance ground) foi uma oficina performática realizada durante a residência de arquitetura Art OMI com o intuito de construir um piso levando em consideração o processo para a sua produção. Ao misturar o trabalho discreto da cozinha com aquele da construção das cidades - historicamente atribuidos a específicos papeis de gênero – o trabalho propõe acionar e deslocar diferentes relações de poder atribuidas a condutas e ferramentas escondidas na produção do espaço. Ao convidar o domínio doméstico e o urbano em uma performance colaborativa, ações como alimentar e construir&#38;nbsp; tornam-se produtoras emaranhadas do ambiente construído: cavar, peneirar, mexer, martelar, cobrir, aparafusar, moldar, preencher, quebrar, achatar, enrolar. Quando a linguagem de programas de culinária e da indústria da construção&#38;nbsp; colapsam uma sobre a outra, o cuidado, a violência, a diversão e a disfunção constroem um complexo terceiro espaço.
Em um saco brilhante de alumínio com uma mistura a frio de&#38;nbsp; 22.7kg de asfalto lê-se: “high-performance–permanent–pavement repair, environmentally friendly” (reparo permanente de pavimento de alta performance). Uma mistura forte usada para reparar buracos é combinada com algo forte que perdura no tempo, no entanto a retórica do reparo, da permanência e da alta-performance incorpora as constradições entre a fragilidade de selar um terreno vivo.


High-performance groundArt OMI Architecture Residency2022


[en]Co-author: 
Liz Gálvez
Mariana Meneguetti

High-performance
ground was a performative workshop for building a floor during the Art OMI Architecture Residency regarding the process of its making through performance staging
actions. By merging the discrete labor of cooking and paving­–historically
attributed to specific gender roles­–the work proposes to stage the different
power-relations, mechanisms, and tools hidden within the making of space. By inviting
the domestic and urban realms into a collaborative performance, feeding and building become entangled producers of
the built-environment: to dig, to shovel, to pour,&#38;nbsp; to stir, to
compound, to cover, to screw, to mold, to fill, to break, to flatten, to roll. When
the language of both cooking shows and building industries collapse into one
another, careful concern, violence, playfulness, and dysfunction build a complex
third-space.


A 50lbs / 22.7kg shining
foil bag of cold-mix patching asphalt reads, “high-performance­–permanent–pavement
repair, environmentally friendly”. A “strong-mixture” used for re-covering its
own holes is matched to
something strong that endures times, and yet the building
industry primarily invested in the subversion of entropy. The rhetoric of
repair, permanence, and performance embed the contradictions between the
fragility of sealing a living, unrelenting ground. 


	&#60;img width="4897" height="3266" width_o="4897" height_o="3266" data-src="https://freight.cargo.site/t/original/i/de199cd43108d40011d014a079b84cfb2426109678f0f3dfc7f4fe42f7e5aa5d/047A4294.jpg" data-mid="178404199" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/de199cd43108d40011d014a079b84cfb2426109678f0f3dfc7f4fe42f7e5aa5d/047A4294.jpg" /&#62;

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